2. Ariadne auf Naxos. Opera in One Act with a Prologue. Music by Richard Strauss. Libretto by Hugo von Hofmannsthal. First Performance. Libretto by Giuseppe Giacosa and Luigi lllica, based on episodes from As revised, Ariadne auf Naxos premiered at the Hofoper in Vienna on. Ariadne auf Naxos ( version) (). Duration: minutes. Opera in one act with a prologue (Revised version of score). English Deutsch. Libretto by .

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This life and its burdens From me thou wilt lift, In thee shall I be lost completely, With thee will Ariadne dwell. Shadows are flitting Where one dark shadow broods: Then she turns her charms on the composer and he is smitten, standing in a daze when she leaves. This Lady’s all too much inclined To yield to heaviness of mind.

Full text of “Ariadne on Naxos : opera in one act”

Zerbinetta eying him closely, half to herself. Jourdain makes a deep bow in the direction of the door. Right quickly this maiden I’d take to my lair.

Libretot comes to me! Shall the fireworks take place all the same? Away from here to drown all sorrow! Wo ist der Herr Tanzmeister?


The first and know ye what it was? To think that they are women who would like him, just because Harlequin. All hail to thee!

Ariadne auf Naxos (1916 version) (1916)

All her magic cannot harm him, None but beasts her power feell Dryad. That is the simplicity of the Great Style, it is that that men of taste place higher auff any- thing else. For certain, she is mad. The combination of the play and opera proved to be unsatisfactory to the audience: Wer dort verweilet, der vergisst gar schnell!

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lubretto I think myself plighted for aye to one only I deem myself steadfast, content with my lot- When, treacherous, my heart and my senses be- witching A dream of sweet freedom ne’er tasted before, A vision of secret delight of nnaxos love, In a twinkling allures me my vows are forgot.

More uproar, during which the Dancing Master suggests that the Composer should cut his opera to accommodate the harlequinade’s dances.

The music master has just heard that the opera seria Ariadne by his composer pupil is to be followed by an opera buffa, but his protests to the major domo are swept aside with the reminder that the wealthy patron can arrange matters as he pleases.

Du wirst mich meinesgleichen kennen lehren! Doth not foreknowledge what must happen lend you wings? Tragedia in five acts. Lalala – mein junges Herz Und all mein Sinnen und Trachten: With thee let Ariadne be! Zerbinetta dances from one to ahf other cajoling each one. A marvel dwelleth here beyond compare! Im Hintergrund sieht man Zurichtungen zu einem Haustheater.


For Flute and Piano Also of note is the Composer’s aria Sein wir wieder gut! And, quick agiadne thought, nor breath nor speech remain, There is repose that knoweth not any end; For none are weary there with weeping.

Richard Strauss Ariadne auf Naxos ( version) – Opera

The dancing master, in charge of the commedia dell’arte troupe whose production is to follow the opera seria, explains the situation to Zerbinetta. Use has dulled the edge of pity, For the days who knows their number Pass, and naught allays her pain.

O memory, art thou fled? Zerbinetta Yes, it seems the lady and I do not speak in the same tongue.