Stockholm Chamber Brass – Ewald: Brass Quintets Nos. By Niklas Åslund. 14 songs. Play on Spotify. 1. Brass Quintet No. 1, Op. 5: I. ModeratoVictor Ewald, . Index of /nuhorns1/Brass Chamber Music/brass chamber music/brass quintet/ Ewald/Brass Quintet No. 1. Parent Directory · 01 Trumpet · 02 Trumpet .

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Recently, Canadian Brass published critical editions all of the Victor Ewald quintets edited by Tony Rickard, taking into account, and benefiting from, all recent scholarship surrounding these works. Russian composers Male composers births deaths People from Saint Petersburg.

In he ewalv write one piece, the eighth variation Andante cantabile of a collective work, Variations sur une theme populaire russe for string quartet, one of the other composers being Scriabin. This was the most influential ensemble in St. The edition therefore follows the instrumentation conventions of the modern brass quintet, in that it is scored for two trumpets in B flatFrench horn in Ftrombone and tuba.

Index of /nuhorns1/Brass Chamber Music/brass chamber music/brass quintet/Ewald/Brass Quintet No. 1

More important for Victor Ewald were the Friday evening string quartet sessions held in Belaiev’s house, the publisher himself playing the viola, Ewald the cello. By using this site, you agree to the Terms of Use and Privacy Policy. From Wikipedia, the free encyclopedia.

For some time it was considered that Quintet no. Due to the aforementioned taxing nature of the piece, an alternative E flat part is provided bbrass the 1st trumpet in Op. Ewald was a professor of Civil Engineering in St.


Rimsky-Korsakov also reports that by then, the Friday evening quartet sessions had begun to suffer a certain stagnation. In the present edition, the score is written in concert pitch, and there are several alternatives in the set of parts, to facilitate performance either on the bgass instruments, the instruments of the modem brass quintet, or whatever.

Index of /nuhorns1/Brass Chamber Music/brass chamber music/brass quintet/Ewald/Brass Quintet No. 1

Its allencompassing repertoire included all the quartets of Haydn, Mozart, and Beethoven, as well as newer works. VAT in the EU. His next published work, the Brass Quintet No. For that reason Ewald soon became and was to remain throughout his life one of the most active and versatile members of a remarkable circle of dilettante musicians.

Brass Quintet No.1, Op.5 (Ewald, Victor)

There is no documented evidence of exactly for whom Ewald composed his quintets, or the exact instruments on ewaldd he envisaged them being performed. This page was last edited on 16 Julyat He was born in Saint Petersburg and died in Leningrad. Petersburg, and was also the cellist with the Beliaeff Quartet for sixteen years.

An obituary signed by his fellow professors of the I.

Views Read Edit View history. Petersburg Quiintet, was one of Ewald’s composition teachers. It was published by Belaiev in This group, whilst all being amateur in the strict sense of the word, made, with the influence of a shared interest in indigenous folksong, a significant contribution to the development of a distinctive Russian eqald musical style which, for the majority of the 19th century had quibtet almost entirely submerged qintet the Germanic tradition in both teaching and practice.


Certainly this suggestion is one that might find favour with modern-day trombonists required to rise to the challenge of what can only be described as, at times, unidiomatic writing. And of course one cannot reject the theory that it was simple pragmatism of utilizing insurments and performers close at hand. Bass in by Anton Rubenstein, this institution was the first of its kind in Russia and it was here that Ewald received lessons in cornet, piano, horn, cello, harmony and composition.

Retrieved from ” https: Sokolov, a teacher at the St. Cornet Trumpet in B flat. Ewald duly reworked the piece for string quartet and it was in this form that it was published as his Op. Among these were Borodin, Glazunov, Sokolov, and others.

The apparent confusion between the numbering and approximate date of composition of the quintets arises from another long-held misconception, also corrected by the studies of Mr.