Page 1. Page 2. Page 3. Page 4. Page 5. Page 6. Page 7. Page 8. Page 9. Page Page Page Page Page Page Page Page Page Telemann Fantasias: a feat of ingenuity and inspiration examples for flute such as Schickhardt’s L’Alphabet de la Musique, twenty-four sonatas in all major. ANTÔNIO CARLOS PORTELA DA SILVA first three of Telemann’s 12 Fantasias for Solo Flute. . ii) Revised edition of Telemann Fantasias 1, 2 and 3.

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Contents 1 Performances 1. From Wikipedia, the free encyclopedia.

12 Fantasias for Unaccompanied Viola | SHAR Music –

Fantasia 8, 1st mouvement m. Don’t show me this message again. Composer Time Period Comp.

Creative Commons Attribution 3. Telejann from ” https: Naxos Javascript not enabled. Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. By using this site, you agree to the Terms of Use and Privacy Policy.

Creative Commons Attribution Share Alike 3. Retrieved from ” https: Barenreiter Verlag It is one of Telemann’s collections of music for unaccompanied instruments, the others being twelve fantasias for solo flute and thirty-six for solo harpsichord that were fqntasias in Hamburg in —33, as well as a set of twelve fantasias for solo viola da gamba that was published in the same city inbut were considered lost until a copy of the print was found in a private collection in by viola da gamba player and musicologist Thomas Fritzsch.


Views Telemann Edit View history.

July Total duration: In Telemann had started the first music periodical, Der getreue Music-Meisterwhich appeared every fourteen days, and which contained all sorts of music, not all of it by Telemann. So this tells us that there were many extremely competent amateur viol players in the German-speaking world and beyond.

The site is also available in several languages. Inan arrangement for viola solo was published by Euprint. December Learn how and when to remove this template message. These file s are part of the Werner Icking Music Collection.

12 Fantasias for Flute without Bass, TWV 40:2-13 (Telemann, Georg Philipp)

Views Read Edit View history. Telemann deliberately avoided keys that are impractical on the one-key flute, i. If so, the copyright claim is bogus as tellemann transposition completely fails to meet the threshold of originality required to qualify as a derivative work or adaptation. This scheme does not resemble that of the twelve flute fantasies, which progress in a roughly stepwise direction from A major to G minor.

This appears to be a mere transposition.

It was developed from the vihuela, an ancestor also of the guitar, in Spain in the last part of fifteenth century, and came to Italy in with the election of the second of the Borgia popes, Alexander VI.


Genre Categories Fantasias ; For flute ; Scores featuring the flute ; For 1 player ; For recorder arr ; Scores featuring the recorder ; For trumpet arr ; Scores featuring the trumpet. Many of his publications came out in weekly or monthly installments, encouraging the public to continue buying until the particular work they wanted was complete. This page was last edited on 9 Novemberat His facility in writing idiomatic instrumental music for almost all instruments then in use was legendary, and we can hear that clearly in his writing for the viol in these fantasias.

He exploits the character and the possibilities of each key, using more chords in the home keys—G, D, C and so on—and employing a more melodic style in those more remote keys.

Fantasias for Viola solo TWV Such editions are also public domain in Canada because they fail to meet the minimum ‘threshold of originality’ to qualify for copyright as an fantaasias.